In the arts, we must have not only modern drama but also the Shensi opera and the yangko dance.
在艺术工作方面，不但要有话剧，而且要有秦腔和秧歌。
The article deals with the modern drama theory between 1880 to 1930 in the western dramas's history.
本文所研究的现代派戏剧理论，贯穿了从1880到1930年整整半个世纪的西方剧坛。
The paper believes that Wu's modern drama creation is related to traditional Chinese opera art closely.
本文认为，吴祖光的话剧创作与中国传统戏曲艺术对他的影响密不可分。
The creation of Chinese modern drama in the beginning period was shrouded in a strong tragedy consciousness.
中国话剧初期创作笼罩着一种浓厚的悲剧意识。
Modern drama is different with the new patter Qu, but we can find some common character in some words of song.
现代的戏曲多与新体曲相异，而一些歌词还具有与新体曲相近的格律特征。
I want to become the modern drama actor specially, therefore I listen to the broadcast modern drama at that time.
我特别想成为话剧演员，所以我那时候就听广播话剧。
Xia Yan has been engaged in the modern drama, the screenplay creation and the film theory research for a long time.
夏衍长期从事话剧、电影剧本创作和电影理论研究。
The bridge is a genre painting, it is the national character and style, the historical vicissitude modern drama stage.
桥梁是风俗画，它是民族风情、历史变迁的话剧舞台。
Such ritualization becomes a kind of "sorcery" and penetrates in the modern drama, bringing out an unprecedented dramatic effect.
戏剧的“仪式化”瞬然变成了一种“巫术”弥漫在现代戏剧中，产生了前所未有的戏剧效果。
"From Hollywood to Broadway, " Shanghai Modern Drama Valley's current project for the fall theatrical season has begun ticket sales.
《百老汇之梦》作为戏剧谷秋冬季的主打剧目日前正式启动售票。
It is to describe the main characteristics of the post-modern drama through the comparison between the post-modern drama and the modernist drama.
透过后现代戏剧同现代主义戏剧的比较视界，对后现代戏剧的主要特征进行描述。
Li Jianwu is a modern dramatic writer of special aesthetic pursuit and style. His drama opened anew aesthetic domain and the arts of representation.
李健吾是一位具有独特的美学追求和艺术风格的现代剧作家，他的话剧开辟了新的审美领域与表现艺术。
It helps to reveal the law for nationalizing modern drama so as to open up wide avenue for indigenous dramas and make the modern drama what it should be.
揭示了话剧民族化的规律，为话剧民族化开辟了广阔的道路；把话剧艺术恢复和提升到诗的本位和高度。
This study analyzes language art of "17 years" Mongol modern drama literature in these respects : language environment language characteristic and rhetoric.
本文从语境、语言的特性和修辞等三个方面综合分析了“17年”蒙古话剧文学语言的艺术性。
Xiayan and his works, in the history of modern Chinese literature, especially in the history of Chinese modern drama, afford everyone much food for thought.
在中国现代文学史，尤其在中国话剧史上，夏衍及其作品的存在是耐人寻味的。
However, Zhou Xinhao, director of Zhejiang Modern Drama Troupe, said they would use the opportunity of the centennial anniversary to raise interest in drama.
但是，浙江话剧团团长周信浩说，他们要利用话剧百年华诞这一良机，来提升人们对于话剧的兴趣。
The changing tendency of modern drama in the new period is that from vividness, illusion and singleness to impressionistic writing, supposition and synthesis.
新时期话剧形态的变化趋势，是从逼真性、幻觉性、单一性走向写意性、假定性、综合性。
Practice, theory, and accumulation of performance are three aspects to measure the influences of traditional Chinese opera on Chinese modern drama stagecraft.
实践、理论、舞台积淀，是衡量传统戏曲对中国话剧舞台艺术产生影响的三个方面。
The fourth chapter cites Adorno's reading of Beckett's Endgame as an example to interpret his view on modern drama, and the criticism of existentialism philosophy.
第四章以阿多诺对贝克特《终局》的解读为例，阐释他对现代主义戏剧的看法，和对存在主义哲学的批判。
The thesis makes a comprehensive analysis over the language art of "17 years" Mongol modern drama , using the theory of literature and art sociology pragmatics rhetoric.
本文运用了文艺学、社会学、语用学、修辞学等方法，对“17年”蒙古话剧语言艺术进行了整合分析。
Some modern drama, is called "Narcissus flower", at that time I did not know that its novel original works are anything, afterward only then knew that in fact is "Jane Eyre".
有一个话剧，叫《水仙花》，当时我不知道它的小说原著是什么，后来才知道实际上是《简爱》。
The first is Liang Xingbo (1908-1981), a famous, well-loved and versatile comedian of both stage and films (operas and modern drama) whose career spanned well over half a century.
第一位是梁醒波，他是一位著名、深受观众喜爱的、多才多艺的的舞台和电影喜剧演员，其演艺生涯跨越半个多世纪。
Tragedy consciousness breaks the happy ending mode in Chinese traditional dramas. It becomes the leading artistic characteristics in the beginning creation period of Chinese modern drama.
悲剧意识的形成打破了中国传统戏剧的“大团圆”模式，成为中国话剧初创时期的主导艺术特色。
"La Deme Aux Camelias" since the birth, by forms and so on novel, modern drama has spread widely, the various countries' reader's affection, has deeply the important literature research value.
《茶花女》自诞生以来，以小说、话剧等形式广为流传，深受各国读者的喜爱，有着重要的文学研究价值。
In chapter three, investigations are conducted over the rhetoric of "17 years" Mongol modern drama literature, which can be divided into two categories, namely, vocabulary and grammar rhetoric.
第三章，从词汇修辞和语法修辞两个方面对“17年”蒙古话剧文学语言作了修辞学的考究。
The early modern drama gradually comprehended and recognized the characteristics of wring style through hard exploration, and promotes the formation of the writing style of Chinese modern drama.
早期话剧在艰苦的艺术探索中，逐渐领悟和体认话剧文体的特点，促进了我国话剧文体的基本成型。
An opera singer, for example, neither dances nor speaks on stage; there are no singing or dancing parts in a modern play; in a dance drama, the dancer doesn't speak or sing.
例如，歌剧演唱家在舞台上既不跳舞也不说话；现代戏剧中并没有唱歌或跳舞的角色；在舞剧中，舞者既不说话也不唱歌。
An opera singer, for example, neither dances nor speaks on stage; there are no singing or dancing parts in a modern play; in a dance drama, the dancer doesn't speak or sing.
例如，歌剧演唱家在舞台上既不跳舞也不说话；现代戏剧中并没有唱歌或跳舞的角色；在舞剧中，舞者既不说话也不唱歌。
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