"Beauty as the symbol of morality" not only generalizes the subject of the book the Critique of judgment, but also embodies the construction ideal of Kant's judgment philosophy system.
“美是道德的象征”不仅概括了《判断力批判》一书的主旨，而且体现了康德批判哲学体系的建构理想。
The critique is penetrated with negative dialectic against totality and identity, avoiding the judgment of absolutism in the form, while always maintaining truth in art.
批判贯穿了否定的辩证法反对总体性和同一性的思想，在论述形式上避免了绝对化的论断，但又始终维护艺术的真理。
Based on Kant's distinction between two kinds of judgments, the article analyzes the legitimacy of the aesthetic judgments in "Critique of judgment".
基于康德对两种判断力的区分，文章分析了《判断力批判》中审美判断的合法性。
Kant defined "disinterestedness in aesthetic appreciation" as fundamental and important characteristics in "Critique of Judgment", which was also seen as the "quality" in beauty.
“审美无利害”是康德在《判断力批判》中作为审美最基本也是最重要的特点进行阐述，并将其作为“质”的契机来规定美的。
Kant defined "disinterestedness in aesthetic appreciation" as fundamental and important characteristics in "Critique of Judgment", which was also seen as the "quality" in beauty.
“审美无利害”是康德在《判断力批判》中作为审美最基本也是最重要的特点进行阐述，并将其作为“质”的契机来规定美的。
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