综观古今中外小说大师，几乎每一位成功的大作家都是风情画小说的创作者。
Making a comprehensive suruey of great writer's novel you can find that none is not in Character and style picture.
版权保护原创艺术作品或脑力劳动成果 （如歌曲或小说）的创作者。
A copyright protects the creator of an original artisitic or intellectual work, such as a song or a novel.
相反，在哥特式小说中，不被接受的再生人希望得到创作者的认可和照顾，并且努力去融入社会。
Instead, the rejected creation pleads to be accepted, and cared for, by its creator and tries hard to fit in with society.
这段引言指的是一系列以一位年轻主人翁为主角的小说的第一部，而这位小说主角已为其创作者在儿童文学界中取得不朽地位。
The quote refers to the first in a series of novels featuring a young character who has carved out a permanent place for his creator in the world of children's literature.
今年三月，她就发现了七年级有一名不喜欢学习的孩子，抄袭了关于《明天，战争开始了》的读后感。 这本小说创作者是约翰·马士登（JohnMarsden），讲述的是澳大利亚孩子们打败入侵者的故事。
In March one of her most reluctant seventh graders plagiarized a journal entry about “Tomorrow, When the War Began, ” a novel by John Marsden about children coping with an invasion of Australia.
小说人物姓名的背后隐伏着人物的性格命运，创作者的爱憎褒贬，有着深刻的思想内涵和审美价值。
Thus behind the name of the character hide the character's destiny and the composer's love and hatred and praise and contempt, which involve deep thinking connotation and aesthetic value.
第四章，新历史小说表现什么，如何表现，始终是有规律可循的，文体上的共同规律反映了创作者的某些共同的精神特征。
Finally, what and how the New-history Novels try to express follows some regulations because common rules in literary forms reflect some common thrust features of creators.
文章认为结构是小说创作者赋予作品的一种独特的语言秩序，它内在地体现着小说创作者个体性的情感体验。
The author considers that structure is a language system bestowed by novel writers, which internally embodies personal emotional experience of writers.
虽然市面上的粗俗小说多如牛毛，但英国到处是乐观积极踌躇满志的文学创作者。
Despite the rising tide of 3 pulp fiction, Britain is full of optimistic, aspiring writers.
在西方新历史主义思潮背景下出现的新历史小说创作潮流中，创作者对于叙事策略的重视得到了强化。
It can be detected by analyzing the historical spirit of new historicism and new historical novels that they differ from each other to a great extent in this respect .
九十年代都市小说坚持“本体性否定”的创作理念，对世纪末都市的物化现实进行了批判性描写，将创作者对存在的否定体验转换成否定性的表达，对都市中种种异化人生进行了批驳。
The 1990s city novel insist its creation theory which is " denying nature ". It criticize the materialization realities of city and refute the all sorts of alienation life in the city.
九十年代都市小说坚持“本体性否定”的创作理念，对世纪末都市的物化现实进行了批判性描写，将创作者对存在的否定体验转换成否定性的表达，对都市中种种异化人生进行了批驳。
The 1990s city novel insist its creation theory which is " denying nature ". It criticize the materialization realities of city and refute the all sorts of alienation life in the city.
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