她坚定的浪漫主义正让我担心着呢。
简·奥斯丁与浪漫主义的关系一直是一个棘手的问题。
Jane Austen's relationship to Romanticism has long been a vexed one.
作为一个浪漫主义天才，李白把中国的传统诗歌形式推向了一个新的离度，对后世的诗歌产生了深远的影响。
As a romantic genius, Li Bai took traditional poetic forms to a new height and exerted a far-reaching influence on the poems of the future generation.
虽然这在当时可能还不明显，但这部作品中充满了浪漫主义逃避现实的精神，这是华兹华斯等人很容易理解的。
While it probably wasn't apparent at the time, much of this work is permeated by a spirit of romantic escapism that the likes of Wordsworth would have readily understood.
民用航空正受到干扰，不是因为长久以来的对速度、浪漫主义和魅力的渴望，而是因为迫切需要应对不断变化的气候。
Civilian aviation is being disrupted, not by the age-old desires for speed, romanticism and glamour, but by the pressing need to respond to a changing climate.
济慈是最伟大的浪漫主义诗人之一。
20世纪初，浪漫主义风格的作曲家在奥匈帝国最受欢迎。
In the early 1900s, composers who worked in the Romantic style were the most popular in Austria-Hungary.
他并不喜欢他年轻时在他家乡很流行的浪漫主义风格的音乐。
He was not a fan of the Romantic style of music that was popular in his homeland during his youth.
例如，杰罗姆·麦肯坚持认为奥斯汀并不拥护浪漫主义意识形态。
Jerome McCann, for example, insists that Austen does not espouse the Romantic ideology.
这篇文章试图促成这一目标，即将奥斯汀与浪漫主义运动和经典紧密地结合起来。
The present essay seeks to contribute to this goal of firmly integrating Austen within the Romantic movement and canon.
她出生在一个浪漫主义时代，演奏者以李斯特、莱斯奇茨基和他们的学生为主导。
She had been born in an age of Romantic playing dominated by Liszt, Leschetizky, and their pupils.
事实上，这种更高级别的表现力对于主导19世纪音乐的浪漫主义风格来说是必不可少的。
This capacity for increased expressiveness, in fact, was essential to the Romantic style that dominated 19th century music.
奥斯汀和浪漫主义诗人的比较大多集中在华兹华斯和拜伦身上，我们知道她读过他们的作品。
Most comparisons of Austen and the Romantic poets have focused on Wordsworth and Byron, whose works we know she read.
在巴托克的青年时期，在奥匈帝国音乐厅里演奏的音乐以德国作曲家谱写的浪漫主义作品为主。
During Bartók's youth, the music played in the concert halls of Austria-Hungary was dominated by Romantic pieces by mostly German composers.
浪漫主义是为了纪念那个时代的主要画家和作家，强调艺术家个人经历的独特性，而不是公众的荣耀。
The Romantics commemorated the leading painters and authors of their day, stressing the uniqueness of the artist's personal experience rather than public glory.
可以肯定的是，多年来，一些评论家一直认为奥斯汀与一位或多位男性浪漫主义诗人有着密切的联系。
To be sure, some critics throughout the years have argued for Austen's affinities with one or more of the male Romantic poets.
浪漫主义诗歌中的主人公是独立的，在某种程度上是纯粹孤独的，不像香颂诗人那样总被战斗伙伴包围着。
The hero in Romance Poetry is independent, purely solitary in a way, not like the Chanson poet who was always surrounded by his fighting companions.
浪漫主义诗歌出现在香颂之后的几代人的时间里，它的根源在法国的地理区域，那里比较平静，冲突不是人们生活的中心。
Romance Poetry emerged a few generations after Chanson, and its roots were in geographic regions of France that were calmer, where conflict wasn't central to people's lives.
随着简约主义和新浪漫主义作为主要的音调风格的兴起，他对音乐的未来更加乐观。
He was more optimistic about the future of music, with the rise of minimalism and neoromanticism as predominantly tonal styles.
所有伟大的意大利浪漫主义诗人都写过八行体。
It's the ottava rima in which all of the great Italian romance epics poets had been written.
浪漫主义中有很长的，韵律学传统。
In Romanticism there is a long tradition leading up to it of the formal Pindaric ode.
浪漫主义孕育的是情绪，自然，过去以及平凡的事物。
Romanticism cultivates emotions, the natural, the past, and the ordinary.
到1824年，所有的第二代浪漫主义诗人都死了。
身为浪漫主义音乐先驱的肖邦，音乐品味却很保守。
Chopin was at the vanguard of Romantic music, but his own musical tastes were conservative.
甚至浪漫主义的根源是意为本地语的“enromancier”。
Even the root for romanticism is "enromancier" meaning vernacular.
他们永远都不能成为浪漫主义爱情所要求的人：解答一切问题的答案。
They can never be the thing that romantic love wants them to be: the answer to everything.
研究人员表示，对浪漫主义的排斥会触发大脑变化从而影响人类健康。
Researchers now understand that romantic rejection triggers changes in our brains that affect our health.
而流行乐迷所喜欢的浪漫主义诗歌，大多在情感上透露着忧郁的气息。
As with romantic poetry, fans of popular music prefer when it comes from an emotionally raw place.
麦克甘对于，回归七八十年代的历史的最大的贡献是，是对浪漫主义的攻击。
Now McGann's most important contribution to the return to history of the seventies and eighties well, what it is is an attack on Romanticism.
麦克甘对于，回归七八十年代的历史的最大的贡献是，是对浪漫主义的攻击。
Now McGann's most important contribution to the return to history of the seventies and eighties well, what it is is an attack on Romanticism.
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