第一章主要阐述了朗格的符号论思想。
符号论研究将文化批判理论成功的应用于广泛的电视节目制作当中具有重要的实践意义。
The theory of the symbol studies and criticizes theory applying to the extensive TV programme successfully and having important practice meanings in culture.
符号论是可以被应用于大众传媒的一切研究：词汇，图像，交通标志，花卉，音乐，医学甚至更多。
Semiotics is the study of everything that can be used for communication: words, images, traffic signs, flowers, music, medical symptoms, and much more.
朗格的艺术符号美学思想有两个主要理论来源，一是怀特海的逻辑符号论，二是卡西尔的人类文化符号论。
Langer's artistic symbolic aesthetic thought had two main theoretical resources, the first one was Whitehead's logical semiotics, and the second one was Cassirer's human cultural semiotics.
德国学者卡西尔的符号论美学理论，作为其独特的符号哲学的一个重要组成部分，对20世纪西方美学产生了广泛而深远的影响。
The theory of symbolic aesthetics, as an important part of Cassirer s symbolic philosophy, possesses a wide and profound influence on western aesthetics in the 20th century .
德国学者卡西尔的符号论美学理论，作为其独特的符号哲学的一个重要组成部分，对20世纪西方美学产生了广泛而深远的影响。
The theory of symbolic aesthetics, as an important part of Cassirer s symbolic philosophy, possesses a wide and profound influence on western aesthetics in the 20th century .
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