判断力批判，在康德看来，是一种直观的理智原则。
The Reflective Power of Judgment is invested by Kant with the function of an Intuitive Understanding.
康德的美学思想主要体现在他的美学巨著《判断力批判》之中。
The aesthetics of Kant's aesthetics is mainly embodied in his masterpiece, "Critique of Judgement".
《判断力批判》之所以在美学与艺术理论史上占有重要地位原因有两点。
Two reasons contribute to the significant place of the book in the history of aesthetics and art theory.
基于康德对两种判断力的区分，文章分析了《判断力批判》中审美判断的合法性。
Based on Kant's distinction between two kinds of judgments, the article analyzes the legitimacy of the aesthetic judgments in "Critique of judgment".
康德之《判断力批判》最主要的特色是，给理念以描述和名称，虽然它们不是高智力的表达。
The capital feature in Kant's Criticism of the Judgment is, that in it he gave a representation and a name, if not even an intellectual expression, to the Idea.
“美是道德的象征”不仅概括了《判断力批判》一书的主旨，而且体现了康德批判哲学体系的建构理想。
"Beauty as the symbol of morality" not only generalizes the subject of the book the Critique of judgment, but also embodies the construction ideal of Kant's judgment philosophy system.
“审美无利害”是康德在《判断力批判》中作为审美最基本也是最重要的特点进行阐述，并将其作为“质”的契机来规定美的。
Kant defined "disinterestedness in aesthetic appreciation" as fundamental and important characteristics in "Critique of Judgment", which was also seen as the "quality" in beauty.
“审美无利害”是康德在《判断力批判》中作为审美最基本也是最重要的特点进行阐述，并将其作为“质”的契机来规定美的。
Kant defined "disinterestedness in aesthetic appreciation" as fundamental and important characteristics in "Critique of Judgment", which was also seen as the "quality" in beauty.
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