我没听说过谁拿《廊桥遗梦》与别的作品相比。
《安娜·卡列尼娜》和《廊桥遗梦》诞生在不同的时代。
Anna Karenina and the Bridges of the Madison County were produced in different ages.
“廊桥遗梦”和“日出之前”是唯一两部堪称具有理智情感的影片。
Besides The Bridges of Madison County, the only other one (thus far) this year is Richard Linklaters Before Sunrise.
几乎没有什么影片可以动摇我们的观念和信仰，但“廊桥遗梦”是例外中的例外。
Not many pictures are created with the necessary skill to challenge our perceptions and beliefs, but the Bridges of Madison County is a rare exception.
本文是以美国经典电影《廊桥遗梦》中男女主人公性格和关系变化为研究对象，运用话语分析的理论和方法进行电影对白分析。
This thesis attempts to apply the theory and techniques of discourse analysis to the analysis of dramatic dialogues in the film, taking the American film The Bridges of Madison County as a case.
《廊桥遗梦》我们每个人都生活在各自的过去中，人们会用一分钟的时间去认识一个人，用一小时的时间去喜欢一个人，再用一天的时间去爱上一个人，到最后呢，却要用一辈子的时间去忘记一个人。
We all live in the past. We take a minute to know someone, one hour to like someone, and one day to love someone, but the whole life to forget someone.
《廊桥遗梦》我们每个人都生活在各自的过去中，人们会用一分钟的时间去认识一个人，用一小时的时间去喜欢一个人，再用一天的时间去爱上一个人，到最后呢，却要用一辈子的时间去忘记一个人。
We all live in the past. We take a minute to know someone, one hour to like someone, and one day to love someone, but the whole life to forget someone.
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