这个概念不仅是指挪用艺术作品或其片段，又或者是单纯的把艺术作品从一个环境转移到另一个环境中，而且它还是社会文化行为的一个标志，是对艺术和生活的看法的一种改变。
This is not only a borrowing of art work or its fragments for own utility or their transfer to another context, but also a sign of sociocultural act, that changes perception of art and daily life.
第一部分为民间文学艺术作品的概念分析。
The first part is about the concept of the works of folk literature and art.
第二章属于重点的章节，论析有关构图的视觉韵律和构图结构形式在艺术作品中的张力，对张力这一概念进行了详细的研究和分析。
The second chapter is the key chapters On the composition of visual rhythm structure and composition in the form of works of art of tension, Tension on the concept of a detailed research and analysis.
第一部分为民间文学艺术作品的概念分析。
One of folk literature is an important part of cultural heritage, is precious cultural legacy.
她的艺术品包含了终极街头经历的概念式探索；民间及历史的艺术原素都能从她的艺术作品显露出来。
Elements of historical art and folk sources transpire through her work, and her art embraces a conceptual exploration of the ultimate street experience.
对此，人们会提出作者身份和艺术作品的完整概念，作为一种有机整体能否幸存的问题。
AT THIS POINT one can raise a question about the survival of the very notion of authorship and of the work of art, as an organic whole.
认为应当以法学的视角重新审视民间文学艺术作品的基本概念、特征。
We should review the concepts and characteristics from the view of jurisprudence.
导赏团将提供专页导赏，介绍不同作品的概念和技术，让参加者能真正了解艺术作品的意义。
With tour guides introducing concepts and technologies behind the works, participants can truly understand the significance and appreciate the complexities of new media art.
本文试图以《机械复制时代的艺术作品》为解读重心，透过一系列本雅明式的概念来初步探讨他的新艺术——电影观。
This article is to explore the view of Benjamin towards movie through his own concept which was demonstrated in his the Work of art in the Age of Mechanical Reproduction.
对王广义来说，美的概念是建立在有计划地操控形象、颜色、构图及透视感之上，而最伟大的艺术作品就是要揭露出这幻象背后的机关。
For Wang, notions of beauty are built on calculated manipulations of form, color, composition, and perspective, and the highest aim of art would be to reveal the apparatus of this illusion.
正如RolandBarthes所证明的那样，对文学所持的互文性观点，支持了一个概念，即一部艺术作品的意义并不存在于作品本身，而是在于观赏者。
This intertextual view of literature, as shown by Roland Barthes, supports the concept that the meaning of an artistic work does not reside in that work, but in the viewers.
正如RolandBarthes所证明的那样，对文学所持的互文性观点，支持了一个概念，即一部艺术作品的意义并不存在于作品本身，而是在于观赏者。
This intertextual view of literature, as shown by Roland Barthes, supports the concept that the meaning of an artistic work does not reside in that work, but in the viewers.
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