他的工作是基于对合成的观察与传统绘画理论。
His work is based on a synthesis of observation and traditional painting theory.
在历代绘画理论中，对中国画“气韵”的论述颇多。
In drawing theories of all previous dynasties, traditional Chinese painting concerning spirit has drawn a considerable discussion.
他的绘画理论和绘画创作使中国绘画美学得以系统体现。并出现了抽象美的萌芽。
It is possible for his painting theory and creation to make China painting aesthetics systematizing, at the same time it appears the seeds of abstract beauty.
可以说研究康定斯基的抽象绘画理论是开启西方20世纪现代主义绘画美学的钥匙。
We can say that the research of Kandinsky's abstract painting theory is the key to the western 20 century Modernism painting Esthetics.
顾恺之在绘画理论方面也很有成就，他留下来的论著有《论画》、《画云台山记》等。
Gu also made great advances in summarizing painting theories. His theoretical works included painting Thesis and Notes on painting Yuntai Mountain.
康定斯基的绘画理论对达达主义、表现主义、超现实主义等西方现代艺术流派产生了深远的影响。
The painting theory of kandinsky has a profound influence on the western modern art schools such as the dada doctrine the performance doctrine surrealism and so on.
康定斯基的绘画理论对达达主义、表现主义、超现实主义等西方现代艺术流派产生了深远的影响。
The painting theory of kandinsky has a profound influence on the western modern art schools such as the dada doctrine the performance doctrine surreal ism and so on.
康定斯基的绘画理论对达达主义、表现主义、超现实主义等西方现代艺术流派产生了深远的影响。
The painting theory of Kandinsky has a profound influence on the western modern art schools such as the dada doctrine, the performance doctrine, surrealism and so on.
在具体的研究方法上，本文运用了绘画理论与事实资料相结合与图像相辅助等多种特征进行分析。
In the specific research method, this paper which combined the theory of painting, image with the factual information to analyse with many features.
这个洞穴里的绘画驳斥了古老的理论，即克鲁马努人画的动物是他们狩猎和食用的。
The paintings in this cave refute the old theory that Cro-Magnon people painted animals that they hunted and then ate.
《汤文选谈艺录》画论思想里反映出的天人合一的哲理境界，融化着民族历史绘画、人类绘画、人性自然化的一切理论思想。
The thoughts in "Tang Wenxian on Art" show this philosophical concept, reflecting the thoughts of the national painting history, all the paintings of mankind and the naturalization of personality.
闻一多提出的包括音乐美、绘画美、建筑美在内的新诗“三美”理论，是十分重要的新诗美学理论创见。
"Three beauty" theory put forward by Wen Yiduo, including the beauty of music, painting and architecture, is an important pioneering insight.
课程包括绘画和其他艺术形式的指导，艺术疗法的历史及理论，艺术疗法的方法。
Courses include instruction in drawing and other art forms, the history and theory of art therapy, and art therapy techniques.
博物馆力图通过多角度的理论观点，空间层次，雾气与水的扩展等几个主题，来探索中国古代绘画深层次变化的空间奥秘。
The museum explores the shifting viewpoints, layers of space, and expanses of mist and water, which characterize the deep alternating spatial mysteries of early Chinese painting.
山水画乃中国绘画之大宗，山水画理论也是中国学术史的重要组成内容。
Landscape painting is a main part of Chinese painting, and the theory of landscape painting is also an important part of Chinese academic history.
对平时绘画中或教学中所重视，但缺乏理论总结的部分进行系统的归纳。
Painting in peacetime or in the importance of teaching, but the lack of theoretical summary of the part of a systematic summarized.
最后，扼要地阐述了探讨丰子恺绘画中的诗意对我国当代美术创作实践和理论研究的现实意义。
Finally, the current significance of studying the poetic flavor of Feng Zikai's painting works on the practice of contemporary art creation and theoretic research is briefly expounded.
中国绘画建构了独特的透视理论，大胆而自由地打破时空限制，具有高度的情境想像。
Chinese painting has established a unique visual theory to break through the limitations of time and space with highly sentimental imagery.
也因此李松松的绘画手法，很多方面看来都和传统油画不同，而是受到「再制」和「再现」等概念，以及新媒体时代的理论所影响。
Similarly, Li Songsong's approach to painting in many ways is less derived from traditional oil painting but instead from conceptual and new media theories of reproduction and representation.
中国绘画的价值趣味也从绘画性转向了书法性的表达，并建构起以笔墨韵致为中心的理论框架。
The value interests of Chinese paintings are shifted from painterliness to calligraphic quality, and the theoretic framework centered on the aura of ink-brush is established since then.
如苏轼题画诗中的“形神论”与黄庭坚题画诗提倡的“韵”说，都对宋代的绘画、鉴赏理论产生深远影响；
For instance, Su Shi's"theory of contour and spirit"and Huang Tingjian's idea of"Yun"have affected the theory of painting very much in the Song Dynasty;
绘画的空间表现问题是艺术创造以及艺术理论研究的重要问题之一。
The problem of Dimensional Representation of painting is one of the most important problems which is concerned by art creativity and art theory.
中国古代绘画美学源远流长，在理论和实践两方面都有重要的价值。
There is a long history in the process of the development of Chinese painting esthetics and there is both a theory and a practice value of its own.
本文通过对光影的科学及视觉“暗箱”原理的考察，阐明光影科学与视觉原理对西方绘画的影响；通过透视法、明暗法这一线索考察西方绘画中的光影理论，明确光影是绘画的首要问题。
The thesis researches on the science of lights & shadows and the theory of "camera obscura" . It clarifies the influence from the science of lights & shadows to the western painting.
本文通过对光影的科学及视觉“暗箱”原理的考察，阐明光影科学与视觉原理对西方绘画的影响；通过透视法、明暗法这一线索考察西方绘画中的光影理论，明确光影是绘画的首要问题。
The thesis researches on the science of lights & shadows and the theory of "camera obscura" . It clarifies the influence from the science of lights & shadows to the western painting.
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