然而经过查阅艺术史学家诺亚•查尼(Noah Charney)在其新书《伪造的艺术》(The Art of Forgery)中有关米开朗琪罗的记载后我才发现事情并没有那么简单。 在米开朗基罗成名前，意大利艺术市场上最具价值的雕塑是古罗马大理石雕。
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我又问他们的父亲是否伪造过古德里奇·罗伯茨的风景画，或是交给索尔·亨德勒的那幅画，或任何其他艺术作品。
I asked whether their father had forged the fake Goodridge Roberts landscape, or the painting given to Saul Hendler, or any other works of art.
除此之外，达·芬奇还伪造过历史上最伟大的艺术品吗？
But could Leonardo da Vinci also have perpetrated history's greatest art forgery?
许多伪造艺术品的拥有者不大愿意提出指控，这样会损害其财产的价值，这也是艺术诈骗难以被发现的原因之一。
Many owners of faked art works are reluctant to bring charges that may demolish the value of their property-one of the reasons that art crimes are often difficult to prosecute.
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