When the early modernist message crackled across Europe like an electric charge, Aalto was quick to enter the charmed circle that included Le Corbusier, the historian Siegfried Giedion, and artists like Hans Arp, Constantin Brancusi and FernandLeger, whose organic abstractions were soon to influence his own use of form.
It was there from 1948 onwards that he started to move in artistic circles meeting French painter and sculptor Joseph Fernand Henri Leger, Swiss artist Alberto Giacometti and Romanian sculptor Constantin Brancusi, among others.