到他出生之日，欧洲正目睹着宗教戏剧的消亡，以及在古典悲剧和喜剧的激发下新的戏剧形式的诞生。
By the date of his birth Europe was witnessing the passing of the religious drama, and the creation of new forms under the incentive of classical tragedy and comedy.
这项工作（就像理论讨论戏剧“真实性”、“bienseance”和悲剧和喜剧的本质）强调需要道德效用。
This work (much like theoretical discussions on theatrical " vraisemblance ", "bienséance" and the nature of tragedy and comedy) stressed the need for moral utility.
酗酒是一个敏感的话题，他谨慎地对待悲剧和喜剧之间的讽刺界限。
Alcoholism is a sensitive subject, and he treads carefully the ironic line between tragedy and comedy.
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