由于摄影和绘画同属艺术范畴，有着许多相似之处，有着十分特殊的关系，本文借用了这个概念，试图从另一个角度考察和解读绘画史以及关于平面绘画的某些特质。
Therefore, the author borrows this concept in an attempt to observe and interpret, from a new point of view, the history of painting as well as some characteristics related to plane painting.
重点放在了绘画的精神特质和艺术家的能力，揭示了人与自然的内在和谐，自觉按照道教和佛教的概念。
Emphasis was placed on the spiritual qualities of the painting and on the ability of the artist to reveal the inner harmony of man and nature, as perceived according to Taoist and Buddhist concepts.
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