...是Castello Banfi酒庄的Chianti Classico Riserva红葡萄酒,从繁华的伦敦到如 诗如画的普罗旺斯, 《失乐园》(A Lost Paradise)!游历世界各地去冒险是每一个男人的梦想。
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The same, in truth, that is found in Proust's work or in the landscape of Plotinus: a nostalgia for a lost paradise.
事实上,普鲁斯特的作品或普罗·提诺的风景画中也均有相同的发现——对失落天堂的留恋之情。
A popular story arose: Our ancestors created and main-tained "The Land of Peach Blossoms, " a lost paradise, a productive and harmonious basin discovered by a ?sherman.
于是流传开了这样一个故事:我们的祖先创造并护育着一块“桃花满园之地”,一个渔夫发现了这片丰饶、和谐的世外桃源。
It has been argued, and I think this is a brilliant point, that the most important word in Paradise Lost is "or", the conjunction.
它备受争议,我个人认为是出色的一个想法,“失乐园”中最重要的词是“或”,即连词。
This is a little paradise, a paradise on the verge of being lost as the shades lose their leaves.
这是一个微小的天堂,一个随着叶子的凋落,即将失去的天堂。
It's too late for this to be a political poem, but Paradise Lost is late for all sorts of reasons.
要写一首政治诗歌太晚了,但弥尔顿这么晚才写《失乐园》有多方面的原因。
Harold Bloom has written, and I think he's absolutely right, that Milton begins Paradise Lost with a powerful defense against lateness.
哈罗德·布卢姆写道,我认为他说得对极了,他说弥尔顿,在《失乐园》的开头对这些“晚“进行了有力的辩护。
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