Artistic conception is an important category of aesthetics in ancient China.

“意境”是中国古典美学的重要范畴。

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Artistic conception is a great achievement in the cognition of ancient China and also is the ending of the forms of ancient poems.

意象、意境是中国上古认知的伟大成果，也是整个古代诗形式的终结。

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Based on the traditional corresponding contrast between images and conception, the article tries to explain the means of artistic expression of ancient poems for a better understanding.

文章根据传统意象与意境的对应取例，进而引申到对人物形象乃至俗成借代之象所创意境的观照，试图对古诗词艺术手法作出定向的文化解读。

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