...性 保护, 而唯一的出路也是拥有男性的保护, 该如何得到某个特定男性的 保护, 以便成为他的「家中天使(Angel in the house), 遂成为每位女 性一生的职志, 要达成此项职志, 则要将「女性特质 发挥到极致, 包 括完美无缺的外貌妆点与体贴入微的柔情性...
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The first chapter is text analysis about "Angel in the house" of Woolf.
第一章主要是伍尔夫作品中“房中天使”意象的文本分析。
参考来源 - 伍尔夫作品中“房中天使”意象的女性主义分析After a close reading of his novels, this thesis indicates that Norris’s female characters, who are complex and diversiform, can be classified into three types:“angel in the house”,“new woman”and“bisexual woman”.
诺里斯厌恶那些在行为上依赖、屈从,在思想上无知、封闭和性格软弱的家中天使女性形象,愤其不争。
参考来源 - 论弗兰克·诺里斯作品中的女性形象·2,447,543篇论文数据,部分数据来源于NoteExpress
In other words, the role of the angel in the house is not just to wash the dishes and take care of the kids, although that's a big part of it.
换句话说,家中天使所要做的,不只是洗盘子带孩子,虽说这是她们的重要任务之一。
We've said there are no women in it, and yet at the same time you do have those frowning and smiling houses sort of embodying the angel in the house, but it's not just that.
我讲过,里面没有女人,但同时,里面确实有那些皱着眉头带着笑脸的房子,从某种程度上代表着房子里的天使,但又不仅仅是那个。
For most part, the three female figures, Agnes in David Copperfield, Esther in Bleak House and Amy in Little Dorrit, are the emblems of the typical Victorian "angel in the house".
《 大卫· 科波菲尔》中 的艾格尼斯、《荒凉山庄》中 的艾斯特和《小杜丽》中 的艾米这三位女主人公都是典型 的维多利亚时代 的家庭天使。
The lamb will then be eaten as a family meal, and its blood will be smeared on the doorposts to mark the house so the angel of death knows to pass over that house -handy and the pun works in Hebrew, as well as English, In addition, each family is to eat unleavened bread.
然后这家人把羊吃掉,然后把羊血涂在门柱上,作为标记,所以当死亡天使经过的时候便可以看到,这里有一个在希伯来语和英语中都能讲得通双关语,除此之外,每一家都要吃没有发酵的面包。
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