Only the French, with goodness-knows-what writing drills on their small-squared paper, seem still to impose a rounded, open, characterless national hand.
唯独在小方纸上写着只有上天知道的文字的法国人，貌似仍保留着一手圆润、舒展、毫无个性的国体字。
This paper aims at portraying characters, depicting plots and exhibiting writing technique by analyzing his novel the French Lieutenants Woman.
通过分析他的《法国中尉的女人》的人物刻画、情境描写、话语蕴藉、创作技巧等，探讨了后现代主义的创作艺术及其哲学基础。
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