One of the main pillars of jargon has always been metaphor, both sporting and mixed.

隐喻从来都是行话的一个主要支柱，既可卖弄才华，又语焉不明。

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Therefore, it was not a realistic work in a strict sense, but the one full of modern flavor mixed by symbol, metaphor, dreams, absurdness and mythological mode.

因此，它不是一部严格意义上的现实主义作品，而是运用象征、隐喻、梦幻、荒诞和神话模式构建出来的一部极富现代意味的作品。

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Despite the mixed metaphor, there is some truth in this judgement.

尽管有混用的比喻，这个判断还是有些道理的。

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