Samson begins to echo Milton from the invocation that we've been looking at, the invocation to Book Three of Paradise Lost.

从我们一直看的祈祷，从《失乐园》第三卷中的祈求，参孙开始附和弥尔顿。

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Galileo is the only contemporary personage, the only seventeenth-century figure, even so much as mentioned in Paradise Lost.

伽利略是唯一的当代人物，唯一的17世纪人物，甚至在《失乐园》里也有提及。

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It has been argued, and I think this is a brilliant point, that the most important word in Paradise Lost is "or", the conjunction.

它备受争议，我个人认为是出色的一个想法，“失乐园”中最重要的词是“或”，即连词。

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Now you also may remember that we have already run into Spenser's Mammon before this point, before Paradise Lost.

现在你们可能也记得我们已经,在遇到《失乐园》之前就与斯潘塞的贪欲之神相遇了。

耶鲁公开课 - 弥尔顿课程节选

But one of Milton's projects in Paradise Lost is to effect his forgetting of all of his literary precursors.

但是弥尔顿在《失乐园》中的一个计划是,让自己忘记所有文学前辈。

耶鲁公开课 - 弥尔顿课程节选

It's in relation to all of these forms of lateness that we can best understand the opening invocation of Paradise Lost.

带着所有这些“晚“,我们才能很好的理解《失乐园》的开头。

耶鲁公开课 - 弥尔顿课程节选

In breakout sessions at the conference, many discussions centered around companies touting their i-grade status, aspirations to achieve investment grade status or, Milton-esquely, to re-secure their Paradise Lost.

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Swiss-born English painter Henry Fuseli leads the first wave, which includes Delacroix, Caspar David Friedrich and Goya a generation inspired by Shakespeare, Goethe, Dante's "Inferno, " Milton's "Paradise Lost" and English Gothic novels.

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For them there is a sense of Paradise Lost.

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