Then Godman read the blitz defence to chip over and send Simon Webster cutting back to the try line, Paterson missing theafters this time although he had added to Cairns' scores.
This is the exhibition's point of greatest concentration, a fascinating sort of before and after, where the befores are seat-of-the-pants, coarsely done as if in the den or the dark, and theafters are refined appropriation, executed in ateliers of bright light and even brighter technique labels like Yohji Yamamoto, Alexander McQueen, Burberry and Balmain.