The latter, an art and literary critic, who eventually recognised that camera images could be inspired as well as informative.
后者是一位艺术和文学评论家，他最终认识到，摄影图像不仅能提供信息，还能激发灵感。
For this critic, photography was linked with "the great industrial madness" of the time, which in his eyes exercised disastrous consequences on the spiritual qualities of life and art.
对这位评论家来说，摄影与当时“伟大的工业疯狂”联系在一起，在他看来，这对生活和艺术的精神品质造成了灾难性的后果。
A serious critic has to comprehend the particular content, unique structure, and special meaning of a work of art.
一个严肃的批评家必须理解一件艺术作品的特定内容、独特结构和特殊意义。
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