康德(I.Kant)在他的《判断力批判》(The Critique of Judgment)中提及崇高与壮美,他说由于自然对象的巨大体积或力量超过想像力所能掌握时,于是在人心中会唤起一种要求对对象予以整体把握的「...
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"Beauty as the symbol of morality" not only generalizes the subject of the book the Critique of judgment, but also embodies the construction ideal of Kant's judgment philosophy system.
“美是道德的象征”不仅概括了《判断力批判》一书的主旨,而且体现了康德批判哲学体系的建构理想。
The critique is penetrated with negative dialectic against totality and identity, avoiding the judgment of absolutism in the form, while always maintaining truth in art.
批判贯穿了否定的辩证法反对总体性和同一性的思想,在论述形式上避免了绝对化的论断,但又始终维护艺术的真理。
Based on Kant's distinction between two kinds of judgments, the article analyzes the legitimacy of the aesthetic judgments in "Critique of judgment".
基于康德对两种判断力的区分,文章分析了《判断力批判》中审美判断的合法性。
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