From the two levels of theoretical support and image technology and based on the specific comparison, this chapter analyzes the references, in Jia Zhangke's films, to the French New Wave moves represented by Bazan and Italian New Realistic films.
从理论支撑和影像技术两个层面,从具体比较出发,分析贾樟柯电影作品对以巴赞为代表的法国新浪潮电影和意大利新现实主义电影的借鉴。
参考来源 - 城镇生活变迁的记录和表现者·2,447,543篇论文数据，部分数据来源于NoteExpress
The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avantgarde techniques.
法国新浪潮电影也许是所有电影运动中最迷人的，因其丰富、大胆和先锋技术而著名。
Origining from French New Wave movement, the author theory is valued of the concept of introspection and initiation about exploring individualism and publicizing personality.
发轫于法国新浪潮电影的作者电影理论在发现“个人”、张扬“个性”上有着宝贵的自省和倡导。
Betty Blue by Jean-Jacques Beineix is one of the representative post-New-Wave films in French.
贝纳克斯的《巴黎野玫瑰》是法国“后新浪潮”电影的代表作之一。
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