The identification of Catherine's death instinct with Heathcliff's death image and the identification of her real self with Heathcliff make Catherine infatuated with Heathcliff.
而凯瑟琳的死亡本能对希克厉死神意象的心理认同，以及其对真实自我的外在匹配物希克厉的潜意识心理认同，使凯瑟琳迷恋希克厉。
As it attacks the source of life, it may be considered to be the earliest direct externalisation of the death instinct.
当它攻击生命的源泉时，它可以被认为是死本能最早的直接外化。
This essay explores the motif of death in Plath's masterpiece Ariel through a close reading of the poetry under the perspective of Freud's instinct theory.
本文通过文本细读，结合传记资料，借弗洛伊德生死本能论的视角，拟在探究普拉斯晚期代表诗作《阿丽尔》中的死亡主题以及背后的创作动因。
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