1928年Jan Tschichold写了一本书——《新版式设计》（'The New Typography'），但是Jakob Erbar仍然设计了Erbar-Grotesk (1924)，非饰线体开始成为精确和客观的代名词。
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Bauhaus and the New Typography 包豪斯和新版面设计
Designers keep finding new and unique ways of presenting their image to the world using typography.
设计师不断寻找新颖独特的方法来运用字体设计展示他们的图像给全世界看。
The combination of unexpected or mismatching shapes creates a new type of design, an hybrid of fashion and typography.
突发性的或不匹配图形的组合创造了新的设计类型，一种时尚和印刷术的混合体。
The old typography has been replaced by a more modern, lightweight and agile one, which preserves the traditional italic writing, a symbol of the progress and optimism that represents this new phase.
旧的版式已经改为比较现代的，轻巧灵活的，它保留了传统的斜体文字，一个乐观的进度和表示这一新阶段的标志。
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