Chapter 4 Briefly deals with the relationship of music form and theme melody-unity of form and content in music.
第四章简单探讨整体性结构和主题旋律的关系——音乐的形式与内容的统一关系。
参考来源 - 回荡于泥土之上的浪漫交响·2,447,543篇论文数据,部分数据来源于NoteExpress
Also, each character in a melodrama had a theme melody, which was played each time he or she made an appearance on stage.
每一个人物在剧中都有一个主题曲,这个曲子在他或她每次出场的时候都会演奏。
We have this beautiful theme here and as we listen to this next presentation, where has the theme, or melody, gone?
我们有了这美妙的主题,而且,当我们听下一场展示的时候,这段主题,或说旋律,去了哪里?
So, we have this beautiful theme here and as we listen to this next presentation, where has the theme, or melody, gone?
那么,我们有了一段美妙的主题,而且,根据它下一次的呈现,这段主题,或旋律去了哪里?
So, we have this beautiful theme here and as we listen to this next presentation, where has the theme, or melody, gone?
那么,我们有了一段美妙的主题,而且,根据它下一次的呈现,这段主题,或旋律去了哪里
How many lines--first of all, where has the melody gone--the theme?
有多少条旋律线,首先,这段旋律去了哪里
So, I think if we said we've got melody, we've got theme, we've got bass, we've got a bunch of other stuff in the middle, that's just fine and dandy.
那么,如果说我们听到了旋律,听到主题,听到低音部,听到中间有一堆别的东西,就算令人满意了
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