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恐怖小说也称为神秘小说(mystery novel)、 怪诞小说(inystery story)和灵异小说(Ghost story)，恐怖、神秘、怪诞、灵异正标识着这 种小说在题材、情调以至立意上的类型特质。它们是恐怖小说在现实层面上的一组主因素。
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A Chinese Ghost Story 倩女幽魂 ; 大话西游之月光宝盒 ; 倩女幽魂三部曲 ; 小倩
A Chinese Ghost Story III 倩女幽魂III道道道 ; 道道道 ; 倩女幽魂Ⅲ道道道 ; 倩女幽魂
A Chinese Ghost Story II 倩女幽魂II人间道 ; 人间道 ; 倩女幽魂Ⅱ人间道 ; 倩女幽魂II
The Ghost Story 鬼叫春 ; 片名
A Ghost Story 鬼魅浮生 ; 彭巴之歌 ; 倩女幽魂 ; 魔鬼的故事
Chinese Ghost Story 倩女幽魂 ; 妖魔道 ; 小倩
Urban Ghost Story 隔墙鬼叫 ; 鬼故事
A Chinese Ghost Story OST 倩女幽魂原声碟OST
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鬼故事 - 引用次数：11
The modernist and postmodernist narrative techniques Morrison adopted include: the dislocated time of Beloved, with emphasis on the non-chronologicality in the text, the blurry between the past and the present, and the theme the temporal devices reveal; the shifting of different focalizations of Beloved, including zero focalization, external Realization and internal Realization, and finds that the Realization in Beloved is often changing or even mixed; the blurry genre, Beloved is a novel that straddles generic forms, it is both a ghost story and a historical novel; and the Stream of consciousness and interior monologue, which helps Morrison explore the physical and psychological damages slavery had inflicted on the ex-slaves.
受现代主义及后现代主义的影响,莫里森运用了支离破碎的时空概念、跳跃的视角、模棱两可的文体及意识流和内心独白的叙事手法。 在支离破碎的时空概念中着重探讨了文本中的非线性的叙述和时间界限的模糊性,指出了这些技巧在主题揭示上的意义;跳跃的视角对《宠儿》的多重视角—零聚焦、外聚焦和内聚焦进行了分析,发现小说中的视角是经常变化甚至是重叠的;《宠儿》从文体上跨越了鬼故事和历史小说两种体裁;通过意识流和内心独白的叙事手法更深刻地揭露奴隶制对奴隶身心的重创。
参考来源 - 论托尼·莫里森《宠儿》的叙事策略
·2,447,543篇论文数据，部分数据来源于NoteExpress
Ghost Story
- abstract: Ghost Story is an American horror anthology series that aired from September 15, 1972 until March 30, 1973.
以上来源于: WordNet
柯林斯英汉双解大词典
ghost story
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1.
N-COUNT A ghost story is a story about ghosts. 鬼故事
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