Through the analyses of its artistic quality and study history, the author finds there are two pillars for literary canonization: one is artistic quality of works and another its reception.
通过对《红楼梦》艺术品质的分析、对“红学”流变的分析，发现文学经典化有两极一极是著作的艺术品质，另一极是文本的接受。
This paper tries to examine closely the relationship between defamiliarization and the Childlike innocence, so as to make a brief comment on Chinese classical poetics and literary canonization.
本文试图通过考量“陌生化”与童心的关系，对相关的中国古典学说和文学经典略作评述。
It is evident that the canonization of a literary text must be in collusion with power relations, so is the canonization of a translated text.
原创文学的经典化与权力关系之间的共谋是显而易见的，翻译文学的经典化也一向如此。
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