...m)、深(deep)、微(Individualized)，将个体行为者放进时空脉络 (contextualized)，以全面与深层的自我解构(self-deconstruction)，出入不同的群己关系。相较于后现代主义作家以解构群体意识作为个体能动.
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Beloved is not only a novel with the self-deconstruction of language, the blending of allusions, black mysterious elements, children’s songs, town-talk and graceful lyrics, but also a novel with the deconstruction and reconstruction of structure, plots and characters.
《宠儿》不仅是一部混杂了典故,儿歌,街谈巷议,典雅的抒情语言,非洲神话传说及非洲宗教思想的对其语言进行自我解构的小说,而且还是一部不断对其结构,情节和人物进行解构和重构的小说。
参考来源 - 托妮·莫里森的《宠儿》及其后现代风格·2,447,543篇论文数据，部分数据来源于NoteExpress
However, due to its inherent paradox the root-seeking literature finds itself in the cultural predicament of self-deconstruction.
然而，寻根文学自身的悖论又使它陷入了自我拆解的文化困境。
The language is featured by self-discussion and reference that constitute a dissolution of the fiction and meanwhile becomes the object of the deconstruction and toppling.
小说的语言具有一种自我讨论和自我指涉，构成一种对小说虚构的消解，同时作品还把解构和颠覆的矛头指向了语言本身；
The authors self-dissection, self criticism, and self depreciation make up the deconstruction of the intellectuals, and the cultural reflection, exploration of the mind and interrogation.
作家对知识分子的自我解剖、自我批判、自我贬低构成了对知识分子的深度解构，其文化反思、心灵探寻、灵魂拷问也给作品带来了前所未有的深度。
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