The Lost Paradise 失乐园 ; 乐土 ; 迷失的天堂
Return to the Lost Paradise 重返失乐园 ; 重回失乐园
Galapagos - The Lost Paradise 失乐园
the reader in Paradise Lost 副标题
Pursuing the Lost Paradise 追寻迷失的乐园
The primal paradise is where the primitive takes place, for only once, while the paradise lost is a new paradise that is incorporated with memory.
最初的乐园只是最原始的行为生发之地,只发生一次,而失乐园是一座新乐园,它将记忆也组合了进来。
Hartman describes Milton's tendency in Paradise Lost, and he takes this term from Coleridge: the tendency to stand ab extra, to stand from outside.
哈特曼描述了弥尔顿在《失乐园》中的倾向,他借用了柯勒律治的这个习语:由外而内俯视自身的趋势。
It has been argued, and I think this is a brilliant point, that the most important word in Paradise Lost is "or", the conjunction.
它备受争议,我个人认为是出色的一个想法,“失乐园”中最重要的词是“或”,即连词。
This is a little paradise, a paradise on the verge of being lost as the shades lose their leaves.
这是一个微小的天堂,一个随着叶子的凋落,即将失去的天堂。
It's in relation to all of these forms of lateness that we can best understand the opening invocation of Paradise Lost.
带着所有这些“晚“,我们才能很好的理解《失乐园》的开头。
Galileo is the only contemporary personage, the only seventeenth-century figure, even so much as mentioned in Paradise Lost.
伽利略是唯一的一个当代人物,唯一的一个17世纪的人物,甚至在里也提到了这点。
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