So to balance this, I took up the harpsichord primarily for the chance to collaborate with other musicians by playing continuo in ensembles.

WSJ: Paul Jacobs | Great Music Needs No Apology | Cultural Conversation by Barrymore Laurence Scherer

Visually, the 17th century was miles away, but the chorus and orchestra, anchored by a formidable continuo group, shaped this glorious score with all the lyricism and transparency that one might wish.

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