For a generation of American artists and collectors, the Armory Show had a profound effect.
David Zwirner has selected a single artist to represent the gallery at The Armory Show in New York City.
Here, at The Armory Show, is a work that relates to the subtext of collecting, buying, showing and discussing works of art.
For Stieglitz, the Armory show marked an end rather than a beginning.
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The Armory Show itself, after all, was the vision of American artists.
The Armory Show was the creation of a society of independent American artists looking for a place to exhibit outside of the art academies.
"The New Spirit: American Art in the Armory Show, 1913" at the Montclair Art Museum, is the first exhibit to focus on those works.
The European component of the Armory Show, first planned on a smaller scale, became the juggernaut we remember today due to three American artists Arthur B.
Oscar Bluemner, William Glackens, Marsden Hartley, Robert Henri, John Marin, Maurice Prendergast, Charles Sheeler and John Sloan were all in the Armory Show, and their contributions are now brought back together in Montclair.
First, it served as a preview for The Armory Show, an annual international contemporary and modern art fair that opened Thursday and runs till Sunday, in which Vacheron Constantin is a sponsor.
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The film specially produced by Laser for the fair is made up of footage from a series of focus groups of art experts discussing what the official look of The Armory Show should be.
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The first serious attention to African sculptures in New York, however, rode the tremendous wave of artistic internationalism that began with the Armory Show in 1913 and swept through the four years of World War I.
This issue was also raised during a panelist discussion at The Armory Show last month when Bonnie Clearwater, director of the Museum of Contemporary Art, North Miami, pointed out that before the last recession, the price of art works by many young new artists shot up before they had received much critical exposure.
For its part, "The New Spirit" does not necessarily show the Armory's Americans at their best.
In 1913, a groundbreaking show at the Armory, which brought hundreds of works by modern European artists to New York for the first time, changed Stieglitz's world forever.
ECONOMIST: The photographer who brought European art to New York
Mr Kesting helped found the Fountain Art Fair, which coincides with New York's sprawling Armory Show.
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