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Kraft loved the Patriots since the sad sack days of the 1970s and '80s.
FORBES: Magazine Article
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He started off bemoaning the sad sack performance of the global economic.
FORBES: The U.S. Can Grow If We All Act Less Like California, More Like Texas
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In the popular World War II cartoon strip The Sad Sack, the character was a naive, confused, lazy, bumbling private, but happy enough and almost lovable.
CNN: Private Ryan was a hero, but there were bums, too
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How else to explain the sad-sack tone from the leaders of the four biggest U.S. banking companies after their respective earnings announcements in the last week?
WSJ: Debbie Downers on Wall Street
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As Yelena, the seductive young wife of a pompous older professor, Ms Blanchett bewitches both the sad-sack Vanya (Richard Roxburgh) and the rakish doctor Astrov (Hugo Weaving).
ECONOMIST: Two excellent productions of an enduring play
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The sad-sack Harold becomes a bit of a lush, but he joins AA and gets a handle on it.
FORBES: The Social Animal by David Brooks: A Scornful Review
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The Cardinals also let Whisenhunt go on Black Monday, Dec. 31, cutting ties with the winningest coach in franchise history and the one who helped resurrected a sad-sack franchise.
NPR: AP Sources: Browns Meet 2nd Time With Whisenhunt
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For Robert Kraft it all started in 1971 on the cold, hard metal benches of a sad-sack football stadium in Foxboro, Mass.
FORBES: Unlikely Dynasty
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The second-ranked organic food chain, sad-sack Wild Oats Markets, often loses money.
FORBES: Not So Wholesome
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She does this now rather than ferry her doddering mother (a feisty Frances Sternhagen) to the grocery story or chitchat with her husband (a sad sack John Ellison Conlee) or hover over her daughter (a solid Phoebe Strole).
WSJ: Review: Edie Falco shines in touching 'The Madrid'
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The story, set in Lisbon, concerns Eloi (Henrique Canto e Castro), a paunchy middle-aged man, who finds Samuel (Dinis Neto Jorge), a young sad sack, about to kill himself by plunging into the sea.
NEWYORKER: The Last Dive
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Man is an existential sad sack who instinctively sets up a game of hide-and-seek with the audience.
NEWYORKER: At Two with Nature