An upcoming thriller movie titled Race 2, features a range of Audi cars in its action sequences.
Joining a hive could be as simple as laughing or gasping along with an audience at a comedy or thriller (movie attendance is up 17.5 percent this year).
The Ides of March, one of two big movies opening this weekend, is a political thriller starring two of the hottest movie stars around: George Clooney and Ryan Gosling.
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Formally, and despite what Soderbergh has told interviewers, the picture looks less like a disaster movie than like an international thriller.
All of this is a relief from the clangor of an American thriller, but our interest in the movie ebbs when Corbijn devotes many minutes to the fashioning of a perfect rifle.
Others movies that had been in the running had been Darren Aronofsky for ballet-themed drama Black Swan, Christopher Nolan for high-tech thriller Inception and David O Russell for boxing movie The Fighter.
Based on actual events that occurred in 1979 in Tehran, the movie brilliantly blends a gripping espionage thriller with humor that comes from the Hollywood shenanigans that Affleck (playing real-life CIA agent Tony Mendez) had to go through with John Goodman (playing real-life Hollywood effects guru and CIA make-up man John Chambers) and Oscar-nominated Alan Arkin (playing movie producer Lester Siegel).
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That's a problem when "The Road" is done as a movie: It's like a zombie thriller drowning in tastefully severe art-house gloom.
The Senate has passed a bill that would stop directors from using federal property in violent pics. (Scratch the next Department of Transportation thriller.) And Washington is threatening to recast suave movie honchos as dastardly tobacco execs.
The movie Roger Ebert calls "a first-rate thriller" tells the tale of a fateful train trip, with strangers offering to "exchange" murders, each killing the person the other wants dead.
"Man on a Ledge" is a movie that employs all the mechanics of a standard Hollywood thriller, while taking sidelong glances at the same voyeurism that fuels both the film and cinema itself.
The movie is part man-on-the-run thriller, part investigative-journalism puzzle, and very much an abrasive gathering of aging warriors, some of whom have accommodated themselves to bourgeois comforts and family life, while the rest continue to bang their heads against the wall of American corporate and military power.
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