Boston's own version of "Washington CrossingtheDelaware, " by Thomas Sully, a subject that always seems to demand enormous canvases and wall space, had to be accommodated by cutting a hole in the ceiling.
He was referring to the Hudson River School as we stood in a gallery that included not only "Heart of the Andes" but also Albert Bierstadt's "The Rocky Mountains Landers Peak" and Emanuel Leutze's monumental "Washington CrossingtheDelaware, " which dwarfed both.