吉州窑陶饰的现代审美观照。
The reflection of modern aesthetics of Jizhou kiln ceramic decoration.
第四，审美观照方式从有距离的凝神观照到无距离的震惊体验；
Fourth, the aesthetics as a way distance from the reflection listened attentively to a distance of the shocking experience.
中国古代山水画和西方浪漫主义风景画就分别体现了这两种审美观照方式。
Ancient Chinese landscape painting and romantic western landscape painting embody these two aesthetic modes separately.
人们对山水进行有意识的审美观照并使之大规模进入文学领域当自赋作始。
People proceeds to have the consciousness to appreciate the natural landscape and put it into literature realm large- scalely in Fu.
产品要与人的气质、品德相映衬，给消费者带来对中国文化中某种理想人格的审美观照；
Products need to mirror people's temperament and morality and bring consumers the esthetic correlation of some kinds of ideal characters in the Chinese culture.
通过整体的审美观照，本文从感性美、意境美、理性美三个方面进行论述林徽因诗歌的审美特点。
By an overall aesthetic scrutiny, this paper discourses on the aesthetic characteristics of Lin Huiyin's poems respecting their beauty being sensible, depictive and rational.
作为审美观照的对象，要对悲剧人物面对人生的苦难和不幸，甚至生命毁灭时的态度进行审美评价。
As a tragic object in aesthetics, its attitude that tragic characters face the life misery and unhappiness and even the edge of death will be valued aesthetically.
作为一种对美的事物的感性直观达到对其理性内涵把握的心理活动方式，审美观照应被用于对历史的认识。
As a form of the psychological activity of understanding the beauty from a perceptual stage to a rational one, aesthetic outlook should be applied to historical cognition.
神性写作和日常写作作为不同审美观照下形成的两种不同文学实践方式，它们在叙事形态、情感方式以及审美境界、艺术想象力上都迥然不同。
As two different literature practices in different aesthetical perspectives, divinity writing and daily writing are very different in narrative forms, mode of emotion and art imagination.
他们的作品既是真实反映现实人生诸层面的写实文学，又是强化了主观理性色彩的心理小说；既有对现实人生的审美观照，又有对人生至境的理性思索和哲理表现。
Their works are not only realistic literary works that reflect all levels of real life but also psychological novels which intensify the subjectively rational knowledge.
本文旨在从美学的角度观照网络艺术何以产生以及它的产生存在对艺术领域和人类审美观念的影响。
This paper aims to reflect reasons of the generation of network arts, its influence of arts and aesthetic concepts of human from an aesthetic visual Angle.
本文旨在从美学的角度观照网络艺术何以产生以及它的产生存在对艺术领域和人类审美观念的影响。
This paper aims to reflect reasons of the generation of network arts, its influence of arts and aesthetic concepts of human from an aesthetic visual Angle.
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