本文从中国山水画与西方风景画的历史渊源、文化背景、哲学基础、表现形式等方面了进行较为系统的比较研究。
Based on the history of Chinese landscape painting and Western landscape painting, cultural background, the philosophical foundation, forms and other areas systematic comparative study.
本文通过收集、整理敦煌石窟壁画山水画及衬景山水景致的作品图录、文字记载，对敦煌壁画中各时期的山水画风作整理研究。
Through collecting and sorting Dunhuang Caves mural landscape painting and the view landscape sceneries records, this text is to research each period landscape painting style of Dunhuarig mural.
对近代山水画家对光的认识与实践两方面进行了重点研究。
Light on the modern landscape painters understanding and practice of key aspects of the study.
本文以六顶山水库溢洪道为研究对象，采用阶梯式溢流面与格栅相结合的消能工。
The paper studies the united energy dissipator with the grid and stepped spillway face by means of the spillway of Liudingshan reservoir.
通过对六安地名中的山水名称、动植物名称、颜色词、方位词的研究考察了六安地名中的自然理据；
First is the concept of word brief rationale; and by Luan names in the landscape, animal and plant names, color words, bearing the word study examined the nature Luan names rationale;
通过对西方风景油画与中国传统山水画的比较研究，旨在研究、探索中国风景油画创作的民族化问题。
Through the comparative study of the two, the purpose of this paper is to explore the problem of nationalization of Chinese traditional landscape painting.
本文具体的研究对象是中国古典园林及园林题材山水画。
This article concrete object of study is the Chinese classical botanical garden and the botanical garden theme landscape painting.
主要阐述了森林水文的研究动态，以及祁连山水源涵养林的研究进展和实际运用。
The research dynamics on forest hydrology and development, practical application of water resource conservation forest in Qilian Mountains are expounded in this paper.
在对日本枯山水的分析中，着重研究了枯山水中存在的两种基本的意境美：凝固美和枯淡美。
In analyzing the drying landscape of Japan, emphasis should be placed on the two image-beauties : the beauty of consolidation and the beauty of dry-light.
通过对汪野亭的粉彩山水作品的研究，剖析浅绛彩对青绿山水瓷画风格演变的影响。
Through a research for the landscape works of WangYeTing's famille rose tracks, I will analyse the affection of the light crimson to the style changes of the turquois overglaze landscape paintings.
对光色、构成形式的研究与吸收，对景写生的重视，各种材料与肌理制作的尝试等等，使现代山水画呈现出一片五彩纷呈、欣欣向荣的气象。
Light color and form of research and absorption, Duijing sketch, various material and skin texture of modern landscape to etc, presents a colorful and flourishing of weather.
本文避开这样的研究思路，从“写实”这一绘画传统出发，以大量史料为依托，来考察宋、元两个时代山水画写实性的流变。
According to the "realistic tradition", the author, basing on a large number of historical materials, tries to avoid the ideas before to investigate the changes of Chinese landscape in the two times.
仔细研究，发现傅抱石的人物画有其独特艺术魅力，成就并不亚于山水画。
A careful study will discover that fu's figure painting enjoys unique artistic glamour and the achievement in figure painting is no inferior to landscape painting.
对陆游山水诗的研究，历来是一个较薄弱的环节。其山水诗中的人文主义精神，更不为人们重视。
As for the study on Lu Yous Poetry of landscape, it has always been a weak link.
从近现代文化和科技飞速发展的社会背景分析研究现代山水画写生观产生的原因。
The paper analyses the causes of landscape painting from social background of the rapid development of modern culture and the technology.
经过19年创作研究掌握了国画：人物画，山水画，花鸟画作品绘画艺术。
After 19 years of study and master the creation of a painting: portrait, landscape painting, flower painting works of art.
中国水电顾问集团成都勘测设计研究院。大岗山水电站岩石力学试验研究报告，2005。
HydroChina Chengdu Engineering Corporation. Rock Mechanical Tests Study Report of Dagangshan Hydropower Station in Sichuan Province, 2005.
同年年底调入中国画研究院。河南美术出版社出版《赵卫、余龙山水画集》；
The same year transferred to Chinese Painting Research Institute. Henan Arts Press published "Zhao Wei, Yu Long landscape painting collection";
第六章相当于余论，简要揭示六朝山水诗的诗学地位与六朝山水诗研究的诗学意义。
Xie's scenic poetry. Chapter VI is additional theory. briefly expressed the poetics status and significance of landscape poems of the Six Dynasties.
本文研究的主要内容是担当山水禅画的风貌特色。
The thesis is intended to explore the characteristics of landscape and Chan panting.
现为山西美术家协会会员、山西山水画研究会会员、山西文学艺术研究会理事。
Now he is a member of Shanxi association, a member of Shanxi mountain-water institute and a direct of Shanxi literature and art academe.
仔细研究，发现傅抱石的人物画有其独特艺术魅力，成就并不亚于山水画。
It seems to us that Fu Baoshi's figure painting lacks originality and is confined to tradition, as compared to his landscape painting.
仔细研究，发现傅抱石的人物画有其独特艺术魅力，成就并不亚于山水画。
It seems to us that Fu Baoshi's figure painting lacks originality and is confined to tradition, as compared to his landscape painting.
应用推荐