Tragedy consciousness breaks the happy ending mode in Chinese traditional dramas. It becomes the leading artistic characteristics in the beginning creation period of Chinese modern drama.
悲剧意识的形成打破了中国传统戏剧的“大团圆”模式，成为中国话剧初创时期的主导艺术特色。
The creation of Chinese modern drama in the beginning period was shrouded in a strong tragedy consciousness.
中国话剧初期创作笼罩着一种浓厚的悲剧意识。
CHI Li is a Chinese woman writer who has a strong tragic consciousness Her novels tentatively expound the existing form of tragedy in China by describing the tragedy of love and marriage.
池莉是一个悲剧意识很强的作家。她的小说通过婚姻和爱情的悲剧描写，初步探讨了悲剧在当下中国的存在形式。
CHI Li is a Chinese woman writer who has a strong tragic consciousness Her novels tentatively expound the existing form of tragedy in China by describing the tragedy of love and marriage.
池莉是一个悲剧意识很强的作家。她的小说通过婚姻和爱情的悲剧描写，初步探讨了悲剧在当下中国的存在形式。
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