It is a fact that anti tragedy tendency exists in classical Chinese tragedy.
中国古典悲剧具有反悲剧倾向，是一个不争的事实。
It is a fact that anti tragedy tendency exists in classical Chinese tragedy. How has it come into being?
中国古典悲剧具有反悲剧倾向，是一个不争的事实。
The Chinese classical tragedy demonstrates the misery of life and gives us a positive and upward spiritual strength.
中国古典悲剧通过苦难的展示，给人一种积极向上的精神力量。
It absorbed and rebuilt Chinese classical miserable opera and western tragedy, and formed a brand-new thing unique in style.
它对中国古典悲情戏和西方悲剧吸纳、改造，进而生成，形成了一种自成一格的“新物”的特色。
It argues for the existence of tragedy in China. The happy ending of Chinese classical drama, which has been criticized, is taken as the major argument that there is no tragedy in China.
中国古典戏剧大团圆结局一直为人所垢病，被当作“中国无悲剧论”的主要论据。
Being different from western drama narration mode is the direct reason for forming Chinese classical drama especially the tragedy.
迥异于西方戏剧的叙述方式是中国古代戏曲尤其是戏曲悲剧独特风貌形成的直接原因。
Han Gong Qiu and Wu Tong Yu, radiant pearls in the Chinese classical tragedy history with its essence, adopt the nearly same artistic technique and reach a sorrowful artistic state.
《汉宫秋》和《梧桐雨》是中国古典悲剧史上的璀璨明珠，这两部作品凝聚着中国古典悲剧艺术的精华，采取几乎相同的艺术手法，营造了悲苦的艺术境界。
The happy ending of Chinese classical drama, which has been criticized, is taken as the major argument that there is no tragedy in China.
中国古典戏剧大团圆结局一直为人所垢病，被当作“中国无悲剧论”的主要论据。
It concludes that Chinese classical tragedy is in fact a primitive tragedy and is different from Hegel's "classical..."
从而得出中国古典悲剧其实是一种原始悲剧的结论，进而指出中国古典悲剧与黑格尔“古典悲剧”的“异质”之处。
It concludes that Chinese classical tragedy is in fact a primitive tragedy and is different from Hegel's "classical..."
从而得出中国古典悲剧其实是一种原始悲剧的结论，进而指出中国古典悲剧与黑格尔“古典悲剧”的“异质”之处。
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