我感到完全像个傻瓜。
"You must think I'm a real idiot."
“你一定认为我是个十足的傻瓜。”
我觉得自己就像个十足的白痴。
I realized I was babbling like an idiot.
我意识到我像个傻瓜一样在胡言乱语。
When I lost my passport, I felt such an idiot.
我丢了护照时觉得自己像个大傻瓜。
Standing there on stage I felt a complete idiot.
我站在舞台上觉得简直是一个大傻瓜。
I knew I'd been an idiot to stay there.
我知道我呆在那儿很傻。
Smith: I keep hearing the word "idiot". I hope you are not referring to me.
史密斯：我总是听到“傻瓜”这个词，希望你不是在说我。
Any man can make mistakes, but only an idiot persists in his error. -cicero.
任何人都可能犯错误，但只有傻瓜才坚持错误。-西塞罗。
After working hard all day, all I wanna do is chill out in front of the idiot-box.
努力工作了一整天后，我最想做的事就是在电视机前好好的放松一下。
"No idea, but it's great for us, " said Ginny brightly. "They're playing Harper instead; he's in my year and he's an idiot. "
“不知道，但对我们来说太棒了。”金妮兴高采烈地说，“现在他们换上了哈珀。他跟我同级，是个大傻瓜。”
The concern for an "idiot"and the corresponding perspective show the text awareness of the contemporary writers and also bring about the turnabout in narrating modes and perspectives.
《尘埃落定》中“傻子”这一非常态人物形象及视角昭示着当代作家的文本自觉，也带来了当代小说叙事方式、叙事视角的转变。
He drew his stories from the classics of Western literature , including Dostoyevski's The Idiot (1951), Gorky's The Lower Depths (1957), and King Lear (Ran in 1985).
而在剧本方面，他喜欢改编西方经典文学著作，包括陀思妥耶夫斯基的《白痴》（1951），高尔基的《在底层》（1957）以及《李尔王》（即1985年的《乱》）。
He drew his stories from the classics of Western literature , including Dostoyevski's The Idiot (1951), Gorky's The Lower Depths (1957), and King Lear (Ran in 1985).
而在剧本方面，他喜欢改编西方经典文学著作，包括陀思妥耶夫斯基的《白痴》（1951），高尔基的《在底层》（1957）以及《李尔王》（即1985年的《乱》）。
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