Transcending subjectivist aesthetics, Gadmer s discussion of occasionality in his "Truth and Method" Bridges his artistic ontology and hermeneutical ontology on a universal level.
伽达默尔在《真理与方法》一书中对艺术作品偶缘性问题的讨论，是他超越主观论美学而从艺术本体论向普遍意义的诠释学本体论过渡的一座桥梁。
To say, "I am a subjectivist," or "I am an objectivist," is in my opinion like saying, "I am a seer," or "I am a listener," but not both.
在我看来，说“我是个主观主义者”或者“我是个客观主义者”就如同说“我是个先知”或者“我是一个倾听者”，但两者并非一致。
To say, "I am a subjectivist," or "I am an objectivist," is in my opinion like saying, "I am a seer," or "I am a listener," but not both.
在我看来，说“我是个主观主义者”或者“我是个客观主义者”就如同说“我是个先知”或者“我是一个倾听者”，但两者并非一致。
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