The master of syncopation in music was Scott Joplin, African American composer writing a lot around the area of St. Louis at the turn of the twentieth century.
音乐中切分音的大师是斯考特·乔普林，他是位非裔美国作曲家，二十世纪之际在圣路易斯地区附近谱写了很多曲子。
什么是切分音？
Okay. So that's what syncopation is and it isn't much more difficult than that.
好了，这就是切分音，也并非很难理解。
Notice syncopation in the second phrase where the accent falls after the firstbeat.
注意第二乐句中的切分音，重音 在第一拍之后出现。
Okay. Obviously, this is the bar of syncopation — we did this in section last week — but you can see this note is the syncopated note.
显然，这个小节里包含了切分节奏，上周的课我们提到过，我们看到这个音符是切分音符。
Of course syncopation and blues are only part of the jazz picture.
当然，切分音和蓝调只是爵士的一部分。
This produces an effect called syncopation& another characteristic of jazz.
这便产生了切分音的效果。这种切分音是爵士音乐的另一个特征。
Notice syncopation in the second phrase where the accent falls after the first beat.
注意第二乐句中的切分音，重音在第一拍之后出现。
Sub-dictionary design, has a positive maximum syncopation MM and reverse maximum syncopation RMM!
分词典型设计，有正向最大切分法MM与逆向最大切分法RMM！
So from ragtime's syncopation and the blues scales to big bands and improvisation, jazz has some complicated roots.
所以，从散拍音乐的切分音和蓝调音阶到大乐团和即兴演奏，爵士的起源还真是复杂。
In a word, the similarities not only exist in syncopation and syllable structure, but also in the changing trend of inflection.
英、汉两种语言语音间除切分音位与音节结构的相似性外，其实在这两种语言中音调的音高变化趋势方面也有一定的相似性。
So, we wanted to bang that syncopation and then, of course, there's no sound on the downbeat over here to make the syncopation work.
我们想要强调这个切分，然后，当然，在强拍的位置就不发声了，这才构成切分音。
Jazz music borrowed syncopated rhythms from ragtime, and syncopation is what makes jazz the lively, energetic music that it is today.
爵士乐从散拍音乐借用了切分音的节奏，也正是切分音为今日爵士乐注入了生气与活力。
For decades to come, Brubeck's two-handed chordal playing and sparing use of syncopation would beautifully complement Desmond's floating and lyrical lines.
此后几十年合作生涯，布鲁贝克的双手和弦以及保守运用切分音的演奏风格，同戴斯蒙德流动而抒情的柔和声线交相辉映，配合默契。
Now the master of syncopation, of course, in music was Scott Joplin, African American composer writing a lot around the area of St. Louis in the turn of the twentieth century.
说到使用切分音的大师,我们自然想到斯考特·乔普林,是位多产的美国黑人作曲家,二十世纪初居住在圣路易斯地区
Now the master of syncopation, of course, in music was Scott Joplin, African American composer writing a lot around the area of St. Louis in the turn of the twentieth century.
说到使用切分音的大师,我们自然想到斯考特·乔普林,是位多产的美国黑人作曲家,二十世纪初居住在圣路易斯地区
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