It was thought to be named after the sitter, most likely the Florentine wife of Francesco del Giocondo.
这幅画被认为是以画中人的名字命名的，她很可能是佛罗伦萨人弗朗西斯科·德尔·吉奥康德的妻子。
The first of these, the most common sort of female portrait in the Renaissance, presents the sitter as a beautiful and desirable woman who, true to type, smiles at the viewer.
首先来说，文艺复兴时期的最为常见的女性肖像画的形式是表现出被画者女性的美丽和吸引力，而且无一例外地面向观众做出微笑。
Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.
每一幅用心去绘画的画都是那画家的肖像，而不是那个被画的人（的肖像）。
He also describes how Leonardo hired musicians and Jesters amuse the sitter so that she would smile, and not have the solemn expression that portraits often have.
他还描述了列奥纳多是怎样雇请乐师和小丑来逗乐坐着被画像的人，这样她就会微笑而没有肖像画常有的那种严肃的神情。
Zeng typically has left the backgrounds of his Mask paints empty and flat, to highlight both the artificiality of the scene and the alienation inherent to the sitter.
曾梵志“面具”画作的背景一贯空无一物，而且是平面的，突出人工化的场景，及画中人物的疏离感觉。
It was thought to be named after the sitter most likely the Florentine wife of francesco del giocondo.
这幅画被认为是以画中人的名字命名的，她很可能是佛罗伦萨人弗朗西斯科·德尔·吉奥康德的妻子。
Traditionally, photographed subjects are captured immediately, often over several sequential frames, but usually only one image is selected to represent the sitter.
从传统意义上说，拍摄一个主体就是瞬间的捕捉，经常会有好几个画面，但是最终只有一个画面被选出来展示。
Traditionally, photographed subjects are captured immediately, often over several sequential frames, but usually only one image is selected to represent the sitter.
从传统意义上说，拍摄一个主体就是瞬间的捕捉，经常会有好几个画面，但是最终只有一个画面被选出来展示。
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