The axis and multidimensional research structure about transportation safety is established from the view of space-time.
从时空角度确立了运输安全研究的轴向结构与多维结构。
This story is solely from my own personal perspective and I'm sure that I may have a somewhat distorted view of time and space (which keeps getting worse at my age).
下面所说的完全是我个人的一些观点及经历，某些事件发生的时间或地点可能会有些偏差（在我这样的年纪，记性是越来越差了）。
Explanation: This luminous night view of the space shuttle orbiter Endeavour, docked with the International Space Station for a final time, was captured on May 28.
解说：这幅奋进号宇宙飞船上光彩夺目的夜景是在5月28日拍摄的，奋进号此次是最后一次停靠在国际空间站了。
The introduction of Webscapes, as the images are called, is the first time that StarCite has provided a way for meeting planners to view meetings space without an on-site visit.
EveryScape推出的3D图片功能被称作Webscapes，会议策划者不用实地访问酒店便可以浏览会议场地图片。
The view on storage and flow movement is normally objectified in terms of costs, time, space, etc.
使储存和流量移动方面的检视通常按照成本，时间，空间，其他等等。
To make a comparison to the space-time view of the Kant and the Locke, not only can better understand Kant philosophy, also can better understand Locke philosophy for modern empiricism philosophy.
对康德哲学与洛克哲学的时空观作一个比较，不仅可以更好地认识康德哲学，也能够更好地认识洛克哲学、乃至近代经验主义哲学。
Victor weaves an unbelievably believable tale which unites ideas about space, time, numbers, and nature into a new view of Music as a living, breathing being.
维克多编写了一个难以置信的可信故事，将关于空间、时间、数字和自然的概念熔成一个新的见解，即音乐是个活着的在呼吸的生灵。
There are four key points: the arrangement of point of view, there is narrative circular structure, interveined and leaping narrative space and time, the choice of narrative images.
主要从四个方面展开：叙事视角的安排，有故事性的圆形结构，交错而跳跃的叙事时空，叙事意象的选择。
Based on it, we doa deep research on the space distribution and time distribution from the view of term frequency, mutual information and word similarity.
在此基础上，我们进行了新词特征的挖掘，从串频、互信息和相似度等角度主要对新词的空间分布规律和时间分布规律进行了分析。
By the view of space and time in the Relative Theory of Narrow Sense, discuss the two confusing physical concept; observe and survey, and analyse the difference between them.
通过狭义相对论的时空观讨论观察与观测这两个易混淆的物理概念，分析两者之间存在的差别。
Relativization of simultaneity, the most puzzling to the human being, is a core of space-time view of relativity.
同时性的相对性是相对论时空观的核心，也是使人最感迷惑之处。
Chapter three analyses the author's multi-artistic techniques and the point out the key effect of jump of time and space as well as multiply point of view on the presentation of athanasia.
第三章分析了金多元化的艺术表现手法，指出时空跳跃和多角度叙述对表现“永生”主题起到的关键作用。
Perceptual space is the view of things at a particular time and from a fixed position.
感性空间是在一固定位置和特定时间对事物的观察。
The Western view of time and space is always space for clues to the main line of science and truth, the pursuit of the liberation of humanity.
而西方的时空观则一直以空间为线索，以科学与真理为主线，追求人性的解放。
A lot of lane view represents historical space-time, which lets visitors have many historical culture senses when they appreciate modern prosperous commerce.
多留一点可触摸的历史，许许多多的弄堂景观代表着凝固的一段历史时空，让游人在享受现代商业繁荣时生出几许历史文化感。
From a policy point of view, it is recommended to provide sufficient time and space security.
从政策的角度来说，建议提供足够的时间和空间保障。
The Subjective space-time View regarded time and space as a person's inherent in the form of innate knowledge, abandoned the objective nature of space-time.
主体时空观把时空视为人的先天固有的认识形式，丢弃了时空的客观本性。
Newton's absolute space-time point of view and Einstein's relativity theory of space-time point of view both are simple static space-time points of view.
牛顿的绝对时空观和爱因斯坦的相对论时空观都是时空割裂的简单性静态时空观。
Chapter three analyses the author "s multi-artistic techniques and the point out the key effect of jump of time and space as well as multiply point of view on the presentation of athanasia."
第三章分析了金多元化的艺术表现手法，指出时空跳跃和多角度叙述对表现“永生”主题起到的关键作用。
Therefore, we can provide a new perspective and some theoretical references on the extension of contemporary Film Aesthetics and the research on space-time view of human beings in digital age.
从而，为数字时代电影美学意义的延伸及人类影像时空观的研究，提供一个全新的视角和一些理论上的参考。
Therefore, we can provide a new perspective and some theoretical references on the extension of contemporary Film Aesthetics and the research on space-time view of human beings in digital age.
从而，为数字时代电影美学意义的延伸及人类影像时空观的研究，提供一个全新的视角和一些理论上的参考。
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