马塞尔·普鲁斯特认为艺术能做什么？
8月，普鲁斯特写信给瓦列特，告诉他打算把这些材料写成小说。
By August, Proust was writing to Vallette, informing him of his intention to develop the material as a novel.
在普鲁斯特的《追忆似水流年》中，叙述者在安静地思考着一块饼干一段时间后，激励他去解开记忆的秘密。
In Proust's In Search Of Lost Time, the narrator is prompted to unlock the secrets of memory after some quiet time contemplating a biscuit.
然后又一个人举手说：“普鲁斯特
我最喜欢的作家是普鲁斯特。
第二部分讨论的是普鲁斯特的时间观念。
The second part of this thesis discussed Proust's time conception.
普鲁斯特的时间观念的形成有如下几个方面的原因。
There are some reasons for the formation of Proust's time conception.
有些人提出，普鲁斯特根本不是小说家，而是散文作家。
Some people have suggested that Proust is not a novelist at all, but an essayist.
普鲁斯特的一些作品是“从绞痛的肚子里排出的一副伤感脆弱的假牙”；
Some of Proust's work is "a maudlin false teeth gobble-gobble discharge from a colic-afflicted belly.
就爱情而言，放弃一种感情，比改掉一种习惯容易。 普鲁斯特。
When love is concerned, it is easier to renounce a feeling than to give up a habit.
就是在绘画课上他遇到了安东尼·普鲁斯特，他们后来成为终身朋友。
It was there that he met Antonin Proust, who was to become a great lifetime friend.
真正的发现之旅不在于寻求新的风景而在于拥有新的双眼.—马赛尔普鲁斯特
The real voyage of discovery consists not in seeking new landscapes but in having new eyes. -- Marcel Proust
《追忆似水年华》是法国现代伟大的小说家马塞尔·普鲁斯特的代表作。
Rememberance of Things past is the representative works of French modern novelist Marcel Proust.
普鲁斯特和巴尔扎克是意识流与现实主义的两位大师，却存在明显的渊源关系。
Although Proust and Balzac are respectively masters of fiction of stream of consciousness and realism, there are obvious connections between them.
真正的探索之旅并不在于寻找新的风景，而是要有新的眼光。（马赛尔·普鲁斯特）
The real voyage of discovery consists not in seeking new landscapes, but in having new eyes.
这倒不是说基奥卡克就像邪恶的所多玛，或者普鲁斯特的夏吕斯原本会经不住诱惑而定居本顿港。
Not that Keokuk was anything like wicked Sodom, or that Proust’s Charlus would have been tempted to settle in Benton Harbor, Mich.
普鲁斯特（Proust）是这一问题上的大师，他为上述真理提供了文学的形式。
事实上，普鲁斯特的作品或普罗·提诺的风景画中也均有相同的发现——对失落天堂的留恋之情。
The same, in truth, that is found in Proust's work or in the landscape of Plotinus: a nostalgia for a lost paradise.
清单一直列下去，甚至包括普鲁斯特——自然是法语原著——歌德以及波特·史密斯的《论中药》。
And so on, all the way through Proust — in French, naturally — Goethe, and Porter Smith’s “Chinese Materia Medica.”
真正的行为发现，是不是在寻找新的土地，但在看到新的眼睛是雪亮的。(普鲁斯特)。
The real act of discovery is not in finding new lands, but in seeing with new eyes. (Marcel Proust).
对于某些患者来说，强迫症似乎是保证隐私不受侵犯的一种方式；想想在软木贴面房间里奋笔疾书的普鲁斯特。
It seems that for some sufferers hypochondria is a way of guaranteeing inviolable privacy; consider Proust laboring in his cork-lined room.
我还是个“探索文学”的少年时，就经常在想：要是大街上人人都熟悉普鲁斯特和乔伊斯，熟悉t。
When I was a boy "discovering literature", I used to think how wonderful it would be if every other person on the street were familiar with Proust and Joyce or t.
只有在发明了书写之后，才有可能写出像普鲁斯特的《追忆似水年华》那样的出于自发记忆的杰作。
Only after the invention of writing was it possible to write such a masterpiece of spontaneous memory as Proust's A la Recherche du Temps Perdu .
普鲁斯特和乔伊斯的小说，创作于暗淡的文化暮色之中，本来就无意让人在大众化的耀眼光焰下阅读。
The novels of Proust and Joyce were written in a cultural twilight and were not intended to be read under the blaze and dazzle of popularity.
普鲁斯特和乔伊斯的小说，创作于黯淡的文化暮色之中，原来就无意让人在民众化的耀目光焰下浏览。
The novels of Proust and Joyce were written in a cultural twilight and were not intended to be read under the blaze and dazzle of popularity.
一个普鲁斯特式的焦虑探索以及对花朵、对地毯、对焦躁细致入微的描述，就意味着这种创造而无其它。
The groping, anxious quest of a Proust, his meticulous collecting of flowers, of wallpapers, and of anxieties, signifies nothing else.
他告诉我们普鲁斯特可以怎样改变我们的生活，他论争过工作的喜乐哀愁，还探索过身份的焦虑如何困扰我们所有人。
He's told us how Proust can change our lives, debated the pleasures and sorrows of work, and explored how status anxiety plagues us all.
过去十多年来他把厌世的目光投向过旅行、社会身份和建筑诸多领域，写过有关哲学家们的好书和关于普鲁斯特的沉思录。
Over the past decade or so he has cast a world-weary eye over travel, status and architecture, as well as writing a fine book about philosophers and an excellent meditation on Proust.
过去十多年来他把厌世的目光投向过旅行、社会身份和建筑诸多领域，写过有关哲学家们的好书和关于普鲁斯特的沉思录。
Over the past decade or so he has cast a world-weary eye over travel, status and architecture, as well as writing a fine book about philosophers and an excellent meditation on Proust.
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