In his trilogy Strange Two-Person Group, Oe takes intertextuality as an important strategy of his fictional discourse.
晚期的大江在创作“奇怪的二人配”三部曲时，已经把互文性当作重要的小说话语策略。
Fictional discourse is regarded in the speech act theory developed by Austin and Searle as "non-serious" or "abnormal".
在奥斯汀和塞尔的言语行为理论中，虚构的文学话语被认为是“不严肃”的。
Sarah Orne Jewetts fictional language has distinctive features of her own in the regimented discourse of male standards.
萨拉·奥恩·朱厄特的小说具有明显的女性审美特征，在文体上表现出明显的女性话语特征。
Sarah Orne Jewetts fictional language has distinctive features of her own in the regimented discourse of male standards.
萨拉·奥恩·朱厄特的小说具有明显的女性审美特征，在文体上表现出明显的女性话语特征。
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