In his trilogy Strange Two-Person Group, Oe takes intertextuality as an important strategy of his fictional discourse.
晚期的大江在创作“奇怪的二人配”三部曲时,已经把互文性当作重要的小说话语策略。
Fictional discourse is regarded in the speech act theory developed by Austin and Searle as "non-serious" or "abnormal".
在奥斯汀和塞尔的言语行为理论中,虚构的文学话语被认为是“不严肃”的。
Fictional discourse is regarded in the speech act theory developed by Austin and Searle as "non-serious" or "abnormal".
在奥斯汀和塞尔的言语行为理论中,虚构的文学话语被认为是“不严肃”的。
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