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I have mine selected not to that sound but to Mozart, so I hear this sound on my telephone.
我没选乱七八糟的那些,而是选了莫扎特的,我听到了我手机的铃声
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Now we'll play a passage of Mozart-- a symphony by Mozart here that he wrote at the ripe old age of nine years.
现在我们要放的这个片段来自莫扎特-,这首交响曲是莫扎特在九岁那年写的。
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After all, some people like Mozart,others Madonna.
毕竟，有人喜欢莫扎特，有人喜欢麦当娜。
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We've talked about Mozart before and we're going to go on now to talk about Mozart's Requiem.
之前我们已经谈论过莫扎特了,我们现在还要继续,说说莫扎特的《安魂曲》
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We had an example of that the other day working with the Mozart-- Where was that?
我们上次讲莫扎特时有过一个很好的例子,在哪里
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I could play for you, for example, a little bit of Mozart.
我可以给你们弹个例子,一小段莫扎特的曲子
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So let's listen to Mozart's depiction of hell and heaven here.
那么,让我们来听下莫扎特,在这里对地狱和天堂的描述吧
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So Mozart was able to finish it and it looks--or--excuse me.
因此莫扎特完成了这部作品,而且它看起来,或是,对不起
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We'll run about thirty seconds over as we listen to the "Lacrimosa" Out of the "Dies irae" Out of the Requiem Mass of Wolfgang Amadeus Mozart written in Vienna 1791.
我们要多听三十秒,《末日经》里的《落泪之日》,沃尔夫冈·阿玛迪乌斯·莫扎特的《安魂弥撒曲》,写于1791年维也纳
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Wolfgang Amadeus Mozart had a very good musical memory.
沃尔夫冈·阿玛多伊斯·莫扎特,有着很好的音乐记忆力
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There are lots of stories about Mozart's musical memory.
有很多故事是关于莫扎特的音乐记忆力的
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So Mozart may have had this image in mind of the damned and the left, but he sure was able to set it--this text-- through music by using a couple of devices.
因此莫扎特脑海中可能记住了,左侧受诅咒的人的画面,但他肯定通过若干乐曲技巧,用音乐表现出了文本内容
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And notice how it's like the coffin's opening up and here comes Mozart's soprano line up here.
注意这段,多像棺材被打开啊,现在是莫扎特的高音部曲调线
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Bach wrote a mass, Mozart wrote many masses, Beethoven wrote two important masses and so on.
巴赫写过一首弥撒曲,莫扎特写过很多,贝多芬写过两首重要的弥撒曲,等等
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But from Mozart, major--difference between major and minor.
但在莫扎特的作品中,大调小调的区别
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He's doing the opposite of what Mozart did.
而他所做的和莫扎特恰恰相反。
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It's the last movement that he was working on, but he has a student there, Franz Xaver Suessmayr, and Suessmayr was given instructions and probably sketch pages as to how to finish this.
这是他创作的最后一个乐章,但是莫扎特有一个学生,弗朗兹·克萨韦尔·苏斯迈尔,苏斯迈尔得到了指示,或许还有草稿,把它完成了
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Mozart is actually writing accent into this.
莫扎特在这里用的是重音的方法
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Mozart goes in. He hears it.
莫扎特走进去,他听到了那段曲子
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Now Mozart died in December, 1791.
莫扎特死于1791年的十二月份
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So that's a piece of Mozart.
以上就是来自莫扎特的选段。
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This is Mozart at age nine.
那时莫扎特才九岁。
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Here, from the Austrian National library where I was last summer photographing and having a wonderful time, is the last page of the Mozart -that Mozart ever wrote here. This is the "Lacrimosa, " and sort of breaking off--and he doesn't finish this particular movement.
这些都来自于奥地利国家图书馆,就是去年夏天我拍照的地方,在那我度过了快乐的时光,这是莫扎特安魂曲的最后一页,他曾写在这上面,这是《落泪之日》,还是半成品,他没来得及完成这个特殊的乐章
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Now let's go on here to listen to some music of Rossini-- composer Gioachino Rossini-- coming after Mozart, and he likes chord progressions too, so we're going to listen to a passage of Rossini and see what he does by way of his chord selection.
我们继续，在莫扎特之后我们要听的音乐来自罗西尼-,作曲家焦阿基诺，罗西尼，他也很喜欢用和弦进行，我们来听一下罗西尼的片段，看看他是怎样选择和弦的。
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So that's Mozart using the "Duke of Earl" harmony--not really.
于是这里莫扎特用了，Duke，of，Earl，的和声，当然不是。
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Here's a famous example from Mozart's G Minor Symphony.
一个著名的例子就是莫扎特的G小调交响曲。
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One day I was sitting there at iTunes and I wanted to buy an interior movement of a Mozart serenade so I was all set to purchase this and it said, "Buy song." Boom.
有天我在苹果的iTunes音乐商店,想买首莫扎特小夜曲,它属于室内乐,我准备买下时 网页上显示,"购买歌曲"
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Now another way is through accent and to exemplify this let's turn to some classical music the music of Mozart so here we have Mozart's Fortieth Symphony his famous g Minor Symphony and we're going to go ahead and start to play it.
另一条途径是通过重音,我们到古典音乐中来找个例子,莫扎特的音乐,我们这里要放一段莫扎特的第四十号交响曲,非常著名的g小调交响曲,那么我们就开始播放吧
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