Milton wants the reader to know that she's fallen, we are all fallen, and any problem that we have in understanding the theology of heaven and hell is our problem as fallen readers.

弥尔顿希望读者认识到她在堕落，我们也在堕落，以及我们在理解天堂中遇到的任何问题,以及地狱式我们这些堕落了的读者们的心魔。

耶鲁公开课 - 弥尔顿课程节选

They are individual creatures who seem really to be in hell just as they seem really to have been in heaven; but the figures of Sin and Death, they are entirely different animals.

他们是独立的生灵，身处于地狱,也曾经生活在天堂;,但是罪恶之神和死神却是两个完全不同的生物。

耶鲁公开课 - 弥尔顿课程节选

And then he goes back to hell and then back up to heaven -goes back and forth between these two rhythmically very different concepts.

然后它回到了地狱,接着又升到了天堂,在这两种节奏非常不同的概念之间,来回往复

耶鲁公开课 - 聆听音乐课程节选

So let's listen to Mozart's depiction of hell and heaven here.

那么,让我们来听下莫扎特,在这里对地狱和天堂的描述吧

耶鲁公开课 - 聆听音乐课程节选

He journeys heroically through chaos in order to find that new planet that he had heard about in heaven, and he's stopped by a figure who holds the keys to hell's gate and who can determine who is able to leave and who is able to enter.

他英勇地穿越过混乱以找到他在天堂听闻过的新星球,他被一个人拦下了,这个人掌管着地狱大门的钥匙并能决定,谁能够从此间进出。

耶鲁公开课 - 弥尔顿课程节选