I think we're meant to understand that he is so focused on the question of redemption that he fails to see anything else; he fails to see anyone else in his preoccupation with that problem.
我想我们得知道,他正被救赎的问题所困扰,在他被次纠缠时,他看不到任何事;,也看不到任何人。
Those titles that Eikhenbaum keeps talking about -How Don Quixote was Made, How Gogol's Overcoat was Made- reflect the preoccupation of the Russian formalists with how literature is put together.
艾肯鲍姆总谈论,堂吉诃德,果戈理的外套是是怎么塑造的-,这反映了俄国形式主义者,对文本组合方式的执着。
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